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The List

MUSIC

El Dorado Hills

• Saturdays: Enjoy live music at The Purple Place, 363 Green Valley Road: Revolution Beat (Oct. 8), EZ Street (Oct. 15) and Cluster Phunk (Oct. 22).

Red Hawk Casino

Casino Stage Bar
1 Redhawk Parkway, Shingle Springs
redhawkcasino.com

• September: Spazmatics (Sept. 30), BB Mckay and the Bumps (Oct. 1), Thunder Cover (Oct. 7), Brodie Stewart (Oct. 8), Night Fever (Oct. 14), Superbad (Oct. 15), Audioboxx (Oct. 21-22), Spazmatics (Oct. 28) and The Wiz Kid (Oct. 29).

THEATER

Harris Center for the Arts

10 College Parkway, Folsom
HarrisCenter.net
(916) 608-6888

• Sept. 25: Harris Center presents Keyboard Conversations with Jeffrey Siegel: Key to the Classics at 1 p.m.

• Sept. 25: SBL Entertainment presents Iris DeMent and Loudon Wainwright III at 7:30 p.m.

• Sept. 30: El Dorado Musical Theatre presents Back to Broadway featuring High Voltage at 7 p.m.

• Oct. 1: Carrera Productions presents Mavis Staples at 8 p.m.

• Oct. 2: Gary Vecchiarelli Productions presents 1940s Battle of the Big Bands: Glenn Miller vs. Tommy Dorsey at 3 p.m.

• Oct. 5: SBL Entertainment presents Marty Stuart at 7:30 p.m.

• Oct. 7-8: CORE Contemporary Dance presents The Doorway at 7:30 p.m.

• Oct. 9: VITA Academy presents Great Composers Chamber Music Series Concert No. 1 at 2 and 5 p.m.

• Oct. 9: Harris Center presents Halau o Kekuhi at 6 p.m.

• Oct. 13-15:  Harris Center presents Clint Black at 7:30 p.m.

• Oct. 15: California Theatre Center presents “The Sleeping Beauty” at 1 and 3 p.m.

• Oct. 15-16: Sacramento Baroque Soloists presents A Visit to the Sun King at 7:30 p.m.

• Oct. 15: Sacramento Guitar Society presents Duo Deloro Flamenco and Classical at 7:30 p.m.

• Oct. 16: Harris Center presents Earth’s Dinosaur Zoo Live at 1 and 4 p.m.

• Oct. 18: Folsom Lake College music department presents FLC Combined Choral Ensemble and Guests at 7:30 p.m.

• Oct. 20: Harris Center presents Twyla Tharp Dance 50th Anniversary Tour at 7:30 p.m.

• Oct. 22: Folsom Lake Symphony presents Rhythmic Heat at 7:30 p.m.

• Oct. 23:  Folsom Lake Community Concert Association presents Jim Witter at 2 p.m.

• Oct 23: Harris Center presents Philharmonia Baroque Orchestra: Beethoven at 7 p.m.

• Oct. 24: Harris Center presents Jethro Tull, written and performed by Ian Anderson at 7:30 p.m.

• Oct. 26: Spiritual Center for Positive Living presents Marianne Williamson: Miraculous Thinking at 7 p.m.

• Oct. 27-29: Harris Center presents “Once the Musical” at 2 and 7:30 p.m.

Folsom

• Through Oct. 2: “Anything Goes” presented by Sutter Street Theatre as part of its Off Broadway Series. For tickets or more information call (916) 353-1001 or visit sutterstreettheatre.com.

• Through Oct. 2: “Charlotte’s Web” presented by Sutter Street Theatre as part of its Family Series. For tickets or more information call (916) 353-1001 or visit sutterstreettheatre.com.

• Oct. 8-31: “Evil Dead, The Musical” presented by Sutter Street Theatre as part of its Off Broadway Series. For tickets or more information call (916) 353-1001 or visit sutterstreettheatre.com.

• Oct. 15 through Nov. 27: “Willy Wonka” presented by Sutter Street Theatre as part of its Family Series. For tickets or more information call (916) 353-1001 or visit sutterstreettheatre.com.

Coloma

• Through Sept. 25: “The Lone Star of Texas” or “A Harlot With A Heart of Gold” presented by Olde Coloma Theatre, 380 Monument Road. For tickets and more information call (530) 626-5282 or visit oldecolomatheatre.org.

Sacramento

• Through Oct. 2: “How to Use a Knife” presented by Capital Stage, 2215 J St. For tickets and more information call (961) 995-5464 or visit captage.org.

• Sept. 28 through Oct. 30: “To Kill A Mockingbird” presented by Sacramento Theatre Company, 1419 H St. This is a youth series production. For tickets and more information call (916) 443-6722 or visit sactheatre.org.

• Through Nov. 6: “Speed the Plow” presented by B Street Theatre, 2711 B St. For tickets and more information call (916) 443-5300 or visit bstreettheatre.org.

• Oct. 1 through Nov. 6: “The Garden of Rikki Tikki Tavi” presented by B Street Theatre, 2711 B St. This is a family series production. For tickets and more information call (916) 443-5300 or visit bstreettheatre.org.

• Oct. 13-22: “Chessman” presented by B Street Theatre, 2711 B St. For tickets and more information call (916) 443-5300 or visit bstreettheatre.org.

• Oct. 19 through Nov. 20: “August: Osage County” presented by Capital Stage, 2215 J St. For tickets and more information call (961) 995-5464 or visit captage.org.

•Nov. 2 through Dec. 11: “I Ought to Be in Pictures” presented by Sacramento Theatre Company, 1419 H St. For tickets and more information call (916) 443-6722 or visit sactheatre.org.

• Nov. 4-27: “Cats” presented by Runaway Stage, 2791 24th St. For tickets and more information call (916) 207-1226 or visit runawaystage.com.

• Nov. 10-13: “Something’s Coming” presented by Sacramento Theatre Company, 1419 H St. For tickets and more information call (916) 443-6722 or visit sactheatre.org.

• Nov. 12, 19&26: “An Exciting Family Show” presented by Runaway Stage, 2791 24th St. For tickets and more information call (916) 207-1226 or visit runawaystage.com.

 

• Nov. 19 through Dec. 25: “Robin Hood” presented by B Street Theatre, 2711 B St. For tickets and more information call (916) 443-5300 or visit bstreettheatre.org.

ART

Folsom

• Through Sept. 30: International shopping bags and Joseph Magnin gift boxes will be exhibited at the Museum of Wonder and Delight, 905 Leidesdorff St. Beyond function, the shopping bag has become the worldwide portable communication device. The exhibition will feature an installation of hundreds of international shopping bags and Joseph Magnin gift boxes from the Dolph Gotelli collection. Find more information online at museumofwonderanddelight.org or call (916) 985-4871.

•Through Nov. 3: A group of six nationally acclaimed fiber artists will be showing a varied collection of works at the Gallery at 48 Natoma, 48 Natoma St, as part of the exhibit, Q6: Six Fiber Artists. These award-winning, contemporary quilters have joined to show a collection of original pieces that range from designs involving hand-made dyed and printed fabrics, unique designs and techniques as well as three-dimensional pieces including woven baskets. Their subjects range from landscapes, natural scenery and figurative work to abstract creations. Quite often several of the artists include text and collage techniques with reference to current events. Also, in the Community Gallery, the Folsom Arts Association will be displaying a fall-themed show of paintings, watercolors, prints, photography and other media. For more information find Gallery at 48 Natoma on Facebook or call (916) 355-7285

Carmichael

• Through Oct. 1: The Watercolor Artists of Sacramento Horizons annual open show, titled Go With the Flow, is on display at Sacramento Fine Arts Center, 5330 B Gibbons Drive. See the best of member works judged by Iretta Hunter, master signature member of the California Watercolor Association. Also be sure and check out the Friday morning figure drawing group show in the foyer and Gallery 3. For more information visit sacfinearts.org or call (916) 971-3713.

• Oct. 4-29: Northern California Artists’ 61st international open juried art exhibit Bold Expressions features a variety of fine art mediums including 2D and 3D at the Sacramento Fine Arts Center, 5330 B Gibbons Drive. A second Saturday reception will take place Oct. 8 from 5:30 to 8:30 p.m. For more information visit sacfinearts.org or call (916) 971-3713.

Crocker Art Museum

216 O St., Sacramento
(916) 808-7000
crockerartmuseum.org

• Through Oct. 2: Glass for the New Millennium: Masterworks from the Kaplan-Ostergaard Collection — Contemporary glass leapt into the 21st century with new heights of expression. This exhibition surveys the work of some 70 dynamic global artists pushing the medium’s boundaries to make art in its fullest definition. Included are the field’s premier visionaries — Richard Marquis, Marvin Lipofsky, Dale Chihuly, Klaus Moje and others who made glass a vehicle for ideas, forever transforming the 20th century studio movement. Their passionate exploration of European traditions and pursuit of material mastery formed networks of artists, expanding the appreciation of studio glass across continents. More than ever, at the turn of the century, material handling and conceptual exploration challenge how we perceive mass, volume and form. From the life-sized, figural forms of Karen LaMonte to the cast glass abstractions of Richard Whiteley and the expectation-shattering sculptures of Masahiro Asaka and Matthew Szosz, the future of contemporary sculpture emerges.

• Through Oct. 9: The Luster of Ages: Ancient Glass from the Marcy Friedman Collection — Known in Egypt in the time of the Pharoahs glass was used in the ancient world for beads, vessels and eventually small windows. This exhibition explores glass vessels that have miraculously survived the ages, from the 6th century BCE to the 10th century CE. All from the eastern Mediterranean, they reflect the forms and influences of Greek, Roman and Phoenician cultures in the Holy Land. From brightly colored miniature amphoras to lustrous perfume bottles, a beautiful variety of ancient glass is revealed here.

• Through Oct. 23: Ourselves through the Lens: Photography from the Collection of Lois and Dr. Barry Ramer — By training the camera on people, photographers from Robert Frank to Flor Garduño have probed the depths of another’s experience, telling richly varied stories about the human condition. Their portrayals challenge preconceptions, subvert expectations and often question what we find in the portrait — truth or artifice. From the joy of play to the singular loneliness of the individual, the images in this exhibition are unexpected and conversation provoking. Selections include prints by celebrated photographers such as Leon Levenstein, Shelby Lee Adams, Luis González-Palma, Ana Mendieta, Larry Sultan and Sebastião Salgado, with contemporary portraiture by Jona Frank, Jessamyn Lovell and Elena Dorfman, among others. In this range of work, both the beautiful and the ravaged are resolved in mesmerizing, humanizing and poignant images.

• Oct. 2 through Dec. 31: Claire Falkenstein: Beyond Sculpture — Claire Falkenstein (1908–1997) was one of America’s most experimental and productive 20th century artists. Relentlessly exploring media, techniques, and processes with uncommon daring and intellectual rigor, she moved from one art center to another, working first in the San Francisco Bay Area, then Paris, New York and finally, Los Angeles. Her reputation today rests primarily on her sculpture, which was often radical and ahead of its time, yet she was also an inventive painter and maker of prints, jewelry, glass, films, stage sets for dance, public murals, fountains, and monumental architectural commissions. Although Falkenstein’s extensive oeuvre can appear bewilderingly diverse, her pieces are based on several distinctive structural systems, which became her personal, formal vocabulary. This retrospective exhibition traces the development of Falkenstein’s work both chronologically and geographically through the inclusion of approximately 65 key works — encompassing nearly every media she explored — from the early 1930s through the 1990s.

• Oct. 23 through Jan. 22: Highest Heaven: Spanish and Portuguese Colonial Art From the Roberta and Richard Huber Collection — Highest Heaven explores a time when art flourished in the Iberian colonial possessions of the Altiplano (high plains) of South America, which stretch from northern Argentina to Peru. Through approximately 107 paintings, sculptures, ivories, objects in silver and furniture, the exhibition traces the development and spread of the Catholic faith through the creation and use of religious art for devotion and instruction. The objects are drawn from the distinguished collection of Roberta and Richard Huber of New York City, built over the course of three decades.

• Oct. 30 through Jan. 29: A Show of Force: Sculpture by Allan Houser (Haozous) Featuring Recent Gifts from Loren G. Lipson — Born Allan Capron Haozous (1914–1994), he became known to the world as Allan Houser and is internationally recognized for his figurative and modernist sculptures featuring Native American people and themes. His parents, Sam and Blossom Haozous, were among the population of Chiricahua Apaches imprisoned for 27 years. The first child born out of captivity, he was raised on the family farm in Oklahoma. With limited formal education and no art instruction, he taught himself to draw, then enrolled in the Painting Studio at the Santa Fe Indian School in 1934. He progressed quickly and soon garnered accolades for his paintings, including mural commissions for the Interior Department in 1938–39. In 1942, he moved to Los Angeles, spending the next five years working in construction by day and painting at night. While there, he saw exhibitions of modernist sculpture, which would influence him as he later pursued 3-D forms. Houser joined the faculty of the new Institute of American Indian Arts in Santa Fe in 1962 and founded its sculpture department. He would ultimately create over 1,000 sculptures in stone, wood, bronze, plaster, and clay. This exhibition features 15 pieces in bronze and stone, several of them recent gifts to the Crocker from Loren G. Lipson. Among these is “Force,” a signature work in Vermont marble depicting an eagle and dove, avian metaphors for war and peace that are unique to the artist’s oeuvre.

• Nov. 13 through Feb. 5, 2017: Reuniting the Masters: European Drawings from West Coast Collections — This innovative exhibition reunites European drawings that have traveled across centuries and continents to different modern collections on the West Coast. By coincidence or by design, drawings by the same artist, for the same project and even from the same sketchbook, have made their way separately to the West Coast. Bringing these long-estranged drawings together again both illuminates the work and process of specific artists in the rich history of European draughtsmanship and also brings forward the history of drawings collectors, from railroad magnates such as E. B. Crocker to Hollywood actors such as Cary Grant and Vincent Price.

SPECIALS

• October: Old Sacramento is your one-stop shop for everything from costumes and candy to a variety of Halloween and fall themed activities. Ride the Spookmotive train or take a spooky cruise along the river before hitting the candy shops to prep for trick or treating. Little ones are invited to trick or treat on the streets of Old Sacramento at participating businesses the Saturday before Halloween.

California State Railroad Museum

111 I St., Sacramento
(916) 323-9280
csrmf.org

• Through Oct. 12: Without Words — This interactive exhibit focuses on the various non-verbal communication tools used by the railroad and the science behind them that allowed for railroad technicians to communicate at night, across distances and during challenging weather conditions. The Without Words exhibit will help museum visitors gain an appreciation for the bells, whistles, flags, lanterns and lights effectively used by the railroad for decades prior to modern electronic communication methods. The exhibit will be displayed in the Lobby Gallery.

• Through March 2017: Winning works of the Center for Railroad Photography and Art’s 2015 John E. Gruber Creative Photography Award will be exhibited including the grand prize photograph by Matthew Malkiewicz, of Mount Laurel, N.J., titled “Beneath Calm Waters” that captured a locomotive and its reflection over water. Other artists include Christian Zell of Boppard, Germany, who received second place for a visually spectacular image of fire being dropped from a steam locomotive and third place winner, Nick King of Handforth, United Kingdom, for his impressionist-styled “Waiting for the Train Home” image. Winners and a selection of the award-winning photographs will be featured in the Spring 2016 issue of the Center for Railroad Photography’s Railroad Heritage journal and in the March 2016 issue of Railfan & Railroad Magazine. More information about the competition and the Center for Railroad Photography & Art can be found at railphoto-art.org.

AUDITIONS

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