Folsom Symphony to perform ‘Of Joy & Fate’ holiday concert

By From page B5 | November 28, 2012

Fate, according to my 1892 Webster’s Common School Dictionary, is considered to be “a decree; (an) inevitable necessity … supposed by the ancients to determine the course of human life.”

Few would argue that, in its strictest definition, all mortal life is “fated” to have a beginning and an end. Rail about it as you will: Not a jot can be changed about it.

Between those fixed points in time are all the things that go into life: good and evil, happiness and sadness.

And that is where mere mortals have true power and freedom. Because happiness is a choice humans can make along the way.

Composers and poets throughout the ages struggled with these weighty matters. And many chose “Joy” as a personal statement of faith, and as a testimony to freely choosing the good in life. Such choices bring out the best in the human spirit. They are heroic.

During December, holy days from two great faiths converge into one season of hope in our community. Christians celebrate Advent and Christmas; Jews celebrate Chanukah.

Under the baton of Maestro Michael Neumann, the Folsom Symphony will host two holiday concerts that will gladden hearts on Dec. 15 & 16. The repertoire for “Of Joy & Fate” ranges from contemplative to festive to joyous.

Appropriately enough, the concerts kick off with Ludwig van Beethoven’s “Fidelio Overture.” First performed in 1805 Vienna, this opera was risky, given Beethoven’s political outlook. After all, the Napoleonic Wars were scarcely two years old. “Fidelio” musically tells a tale of personal sacrifice, heroism and eventual triumph … with an underlying struggle for liberty and justice. Ludwig could have lost his head for such radical thoughts — literally.

Next on the program is George Frederic Handel’s “Music for the Royal Fireworks.” A secular piece of music, it was commissioned by England’s King George II to celebrate a great hope for peace: the 1749 signing of the Treaty of Aix-la-Chappelle. The music is Handel at his most spectacular.

The treaty? It didn’t quite pan out the way the crowned heads of Europe had hoped. Little was accomplished in the end. Fate stepped in.

The evening continues with powerful works by Rimsky-Korsakov (“Capriccio Espagnol”), Brahms (“Schicksalslied,” accompanied by the Folsom High School Chamber Singers), Johann Strauss Sr. (“Radetzky March”) and his son (“Tritsch Tratsch Polka”). Popular composer Leroy Anderson’s work “Christmas Festival” will put audiences in the holiday mood.

Handel makes another appearance with his magnificent work from “Messiah” — the “Hallelujah” chorus.

Happiness, it is said, is not a destination. It is something one encounters along the way. One can choose to be joyful, or to be otherwise. In celebration of this fact, each member of the audience is invited to sing along to traditional carols near the conclusion of each concert.

My little dictionary from 1892 defines “joy” as “gladness, delight, exultation … bliss.” Intangible delights that the Folsom Symphony specializes in every December.

Get your tickets soon. These concerts sell out every year. Call (916) 608-6888 or visit threestages.net. “Of Joy & Fate” will be performed two days only, on Saturday, Dec. 15, at 7:30 p.m., and Sunday, Dec. 16, at 2 p.m. Performances are held at Folsom Lake College’s Three Stages. Also visit folsomsymphony.com.

Send your event for consideration in Susan’s column to [email protected].

Susan Laird


  • Recent Posts

  • Recent Comments

  • Follow Us On Facebook

  • Special Publications »

    Use of this site constitutes acceptance of our Terms of Service (updated 4/30/2015) and Privacy Policy (updated 4/7/2015).
    Copyright (c) 2017 McNaughton Newspapers, Inc., a family-owned local media company that proudly publishes the Daily Republic, Mountain Democrat, Davis Enterprise, Village Life, Winters Express, Georgetown Gazette, EDC Adventures, and other community-driven publications.